Representation in Media
Now for the analysis of the scene, Maki is scene fighting all the clan members on a glass floor, representing how easy it is for her to shatter and break the clan. The fighting scene also turns black and white while there is red blood to represent how she detached herself and isolated herself from humanity. The non-diegetic music is very fast paced and upbeat which shows her having fun with eliminating her clan and it is supposed to be celebrated. When Maki is fighting the clan, the directors used a style of editing called cutting on the action, which shows an action being performed midway through another angle. They also use proxemics to show how inferior the rest of the clan is to her after her new awakened power. She also slides on the blood of her enemies and does not use a weapon to kill a clan member but uses her bare fists as a way to mock them and their legacy. When a cursed technique is used, and the hands hold her above the Zenin clan house with blood running down, it symbolizes the control they have over her. When one of the top fights of the clan member says, "she is the same as Toji". It refers to the trauma the clan had because of a son without a cursed technique being stronger than their entire clan, and they had only lived on because of his mercy. This symbolizes Maki and Toji being similar because of their cursed-less status. When one of the top fighters Jinichi, is slowly approaching Maki to land his punch, he moved very slowly because of all the trauma he had from his little brother who had surpassed the clan's power and could kill them anytime.
This is just the beginning of the episode, and it gets way deeper with the plot. Through many cinematography edits, animation, and symbolism through binary opposition. The directors for this episode were able to create a meaningful episode in the aspects of identity.
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